- who: H.B. Koplowitz
- what: Blackspanic College and Carbondale
After Dark (author booksigning)
- where: Bookworm
- when: Friday, September 4, 2009
Sometimes Things Aren't Black and White:
H.B. Koplowitz's Blackspanic College
by Brian Wilson
H.B. Koplowitz, author of Carbondale After Dark, will
return to Carbondale Friday, September 4 to promote his newest book, Blackspanic
College at the Bookworm.
A native of Southern Illinois, Koplowitz has spent the past
several years living in Southern California. Blackspanic College
(Dome Publications, 166 pages, paperback, $19.95) is a non-fiction
account of the author's four-year stint teaching at a community college
in South-Central Los Angeles. But more than simply a memoir, it is also
a stimulating and thoughtful examination of the racial divisions that
continue to exist within our culture.
Blackspanic College
is divided into three major sections, with each chapter covering a
different semester between 1998 and 2002, the years Koplowitz taught at
Southland. The first section, "H.B. Loco," recounts the author's first
two years at the college, when he found himself adjusting to his role
as a white teacher in a predominantly black community, and befriending
several of his students in his role as faculty advisor for the school
newspaper. The second section, "Fungus Amongus," details the events
leading to Koplowitz being unjustly deemed a racist by one student, and
Koplowitz's frustrations at being the target of harassment that led to
much of the student body turning against him. The third and final
section, "Redemption," portrays the author regaining acceptance from
his students after they come to stop judging him on hearsay and begin
getting to know what he really believed.
At the center of Blackspanic College is
the transformation that occurs not only among the students of Southland
College, but within Koplowitz himself. In the first chapter, the author
expresses his insecurity about accepting the position at Southland
College: "[T]ruth be told, I tend to be uneasy around blacks. Scared of
getting mugged, guilty about the slavery thing, intimidated by the
jive. I think of it as a phobia-- Afrophobia-- like homophobia, which
is an irrational fear of gay people."
But Koplowitz now tells Nightlife,
"I think the more familiar anyone becomes with 'others,' the more
comfortable they become, so I suppose I'm less uncomfortable now. I'm
not a racist, but I'm not color blind, either. In writing the book, I
felt that to honestly portray my own character, I had to carve out some
gray area between racist and non-racist, a person who was fearful but
not hateful, and again, I gave the condition a nickname-- Afrophobia. I
think various social phobias are more common than we let on, because we
tend to be ashamed of our fear, and perhaps one way to deal with fear
is to pretend it's not there. But personally, I think acknowledging our
fears is the first step toward dealing with them."
At the end of Blackspanic College,
Koplowitz writes that he hopes the book "doesn't read like just a
settling of scores." While one aspect of the book clearly involves the
author's coming to terms with the student who caused his personal and
professional grief, the work seems much more about the nature of his
experiences during this time, both positive and negative.
Koplowitz
states that "my intention in writing the book was to try to preserve
some memories that were precious to me, in a way that might be
interesting to others as well. But... the process of writing it down
was also therapy, as I had to analyze as well as recount what happened,
and the most painful part was going back over the semester the student
called me a racist."
Although very different in terms of content and form, Blackspanic
College feels in many ways like a logical progression from Carbondale
After
Dark. Like Koplowitz's earlier work, Blackspanic College
pays sharp attention to historical detail and is imbued with the strong
personal presence of the author. But whereas the focus of Carbondale
After
Dark was upon the events of a specific historical period, Blackspanic
College
examines cultural issues that are ongoing and as relevant
as ever.
Koplowitz states that he feels the connection between the two
books is that they both "take on taboo subjects. In Carbondale
After Dark, it's the history of 'the Strip,' which civic leaders
have understandably tried to suppress.... In Blackspanic College,
the
taboo subject is race, which, understandably, a lot of people would
also like to suppress, or not talk about. Especially nowadays, when
just about anything you say about race can be turned into a gotcha
moment. The politically correct thing to be is color blind-- not just
treat everyone the same, but not acknowledge our diversity. But the
more we ignore our differences, the less vibrant we become as a
culture. If there were only one race, the world might be a calmer
place, but it wouldn't be as interesting."
For more information about Koplowitz and his work,
visit <http://www.HBKoplowitz.com>.
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