Category Archives: Culture

Medical marijuana (sort of) legalized in Florida 05/02/14

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So-called “medical” marijuana became legal in Florida in 2016. But it was a long and winding road.

Florida’s Republican-controlled Legislature approved a bill Friday to legalize a strain of medical marijuana called Charlotte’s Web, and Republican Gov. Rick Scott [now Sen. Scott] said he will sign the bill into law. There’s just one catch: You can’t get high on Charlotte’s Web.

The THC content of the approved cannabis strain cannot be above 0.8 percent, while most psychoactive pot has a THC content of 15 percent or more. Under the law, people can’t smoke Charlotte’s Web either, and the only way they can legally possess it is if they have a rare form of epilepsy or cancer.

Charlotte’s Web has helped some children with a severe form of epilepsy called Dravet syndrome control their seizures, and some states, including such liberal bastions as Utah and Alabama, are legalizing low-THC cannabis for medical purposes.

The Miami Herald described some Scott supporters as “surprised” at his support for the bill. But his approval can also be viewed as a political response to Proposition 2, a statewide initiative that will be on the November ballot that would legalize the kind of medical marijuana that does get people high.

With a medical marijuana initiative on the ballot, Florida is the first state to test whether “pot power” can help elect a political candidate. The initiative was organized and bankrolled by Democratic operatives and a supporter of Charlie Crist, who is the former Republican governor turned Democrat seeking to regain his seat.

As governor, Crist signed several harsh anti-drug laws, but he now says he supports Prop. 2, which is expected to draw more interest, and Democratic voters, to the polls in the non-presidential election. Scott opposes Prop. 2, but by signing the Charlotte’s Web bill, he and Republicans can say they also have compassion for the truly sick and disabled who could benefit from medical marijuana, so there’s no need to vote for the initiative, or Crist.

In another election-year turnabout, Scott signaled he will sign Florida’s version of the Dream Act, which grants lower in-state college tuition to some foreign-born children of undocumented immigrants. On the last day of the session, the Legislature approved the measure over the objections of those who argued it would reward those here illegally and limit financial aid to legal residents.

Crist also supports the Dream Act, even though in the past, both he and Scott opposed similar measures. Coincidently, Scott and Crist have been wooing the Hispanic vote, which is about 14 percent of the electorate.

The incumbent has been trailing the challenger by 5-10 points in various tracking polls, although a Human Events/Gravis poll in the last week of April found a virtual dead heat [Scott was re-elected by 48.1% to 47.1%]. It also found that 60 percent of Florida voters support Prop. 2, which would be a landslide for any political candidate, but the initiative needs 60 percent to pass [Amendment 2 failed, with 57.6 percent of the vote]. And recently, anti-drug and law-enforcement groups, including the Florida Sheriff’s Association, have announced they were mobilizing to oppose the initiative.

The Florida Cannabis Action Network, which was not actively involved in Prop. 2 or the Charlotte’s Web bill, gave a wary thumbs up to the legislative action. “This is not the perfect piece of legislation, but it is an important step forward,” said Florida CAN Executive Director Jodi James. “Florida CAN envision a world where everyone is free to use cannabis without fear. We first must help our neighbors and their family members to understand there is nothing to fear from cannabis.”

Originally published at Allvoices.com.

© 2014-2021 by H.B. Koplowitz

Footage surfaces of May 1970 riots in Carbondale, Ill.

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It’s been over a half century since Ohio National Guardsmen on the campus of Kent State University gunned down four people protesting the war in Vietnam. Like the recent anti-Israel demonstrations, the “Kent State Massacre” set off a wave of protests and riots that shut down campuses across the country, including Southern Illinois University in Carbondale. Now, rare footage has surfaced of the riot that rocked Carbondale on May, 7, 1970, along with other vintage scenes from those turbulent times. 

Actually, in my role as unofficial hometown historian for that era, I recently surfaced the footage myself from the SIU’s Morris Library Special Collections Research Center and put it on YouTube. The film clips appear in “SHITT” (“Stay High in Troubled Times”), a sardonic, black and white short film made in 1971 by Dave Dardis, then an undergrad design student at SIU, who today is proprietor of Rainmaker Arts and Entertainment in nearby Makanda. 

Interspersed in the 18-minute flick, which Dardis shot around Southern Illinois, is vintage newsreel footage and live radio reports from the infamous May 7, 1970, riot, when tear-gassed antiwar demonstrators rampaged through “the strip” in downtown Carbondale, breaking store windows and looting businesses. The next day martial law was declared and the school closed before the end of the semester.

The movie is more art film than documentary, but it has some journalistic elements. In one scene, a WSIU News reporter says protesters “sitting peacefully” in the intersection of two highways in downtown Carbondale have been told that as long as they remain peaceful, the police won’t bother them. “Evidently the police aren’t going to bother them,” he reports, as the video shows restive students, one with a bullhorn, milling about the intersection. 

The movie cuts to a line of Illinois State Police with batons a block east of the intersection, and an apparent news producer can be overheard telling a field reporter, “We have been told the National Guard is definitely, are getting ready, to possibly go with tear gas. You guys better be ready to move out.” 

“Oh oh,” the reporter begins, but the producer interrupts. “Don’t go spreading that around,” he shouts. 

“Somebody’s running,” the reporter continues. “Somebody’s already running. The crowd is beginning, they’re on their way. They’re running up this way.”

The producer interrupts again to give some advice on tear gas. “Tell everybody to get a handkerchief or rip off the tail of your shirt or something. Take your shirt off.” 

The reporter describes tear gas canisters being launched as the video shows a glowing white plume, followed by a cordon of military vehicles driving the protesters down the strip, and then there’s a glimpse of store windows being broken and looters running by. 

According to news accounts from the time, authorities decided to disperse the crowd with tear gas after about 150 militants and street people broke away from the main crowd and blocked the nearby train tracks. Unaware of the splinter group, the panicked and enraged protesters at the intersection thought the police had broken their word, and while fleeing past downtown businesses, some broke windows and looted.   

In a recent phone call, Dardis told me he got the riot footage highlight reel from “a couple of guys in Champaign” (Illinois). He said they feared the powers that be would bury the footage forever, so he persuaded them to give it to him. He said the guys he knew knew the guy who shot the footage, apparently for WSIU-TV, and he wished he’d credited that guy, but now he can’t remember his name.  

Dardis said he’d been slowly editing his movie when he heard about a contest for what became SIU’s Big Muddy Film Festival, and overnight he spliced together the rest of his film in time to compete. When I asked how much of the riot footage made it into his movie, he said he couldn’t say for sure, but that he recalled literally tripping over all the celluloid that got left on the editing room floor. He said it was such a rough cut that the film broke three times while it was being shown at the festival — causing some in the audience to suspect it had been sabotaged — yet it still won first prize.

The movie also has a musical soundtrack and other scenes shot by Dardis, including an appearance at SIU by Chicago 7 civil rights attorney and activist William Kunstler; a death-defying dive into a local strip-mine pit; nude horseback riding; and a love-in at Giant City State Park (Carbondale blues singer Tawl Paul can be spotted briefly). Dardis said one of the actors, who dived off the cliff, was Will Soto, who became a street performer in Key West. There’s also photos and video of other protests, and of students sacking the ROTC building on campus the day before the riot. 

When I asked Dardis if his film had a message, he laughed, paused, and repeated the title, “Stay High in Troubled Times.” 

The digitized copy of “SHITT” that I received from SCRC was very dark in some places, so although I am not an audiovisual expert, I tweaked the video a bit. “SHITT” can be viewed here: https://youtu.be/E6wRnlRSooM

For more information about the May 1970 protests in Carbondale, see my book, “Carbondale After Dark,” available from Amazon https://hbkoplowitz.com/

Have a Kosher Christmas

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© 2007 by H.B. Koplowitz

Since first writing this Christmas story in 2007, I have re-posted it several times. But this year is probably the last because it has become woefully outdated. With recent events in Israel and Gaza, the idea that placing menorahs in holiday displays could symbolize inclusion has run its course. Either the menorahs will disappear or crescent stars will be added, as well they should be. As my outdated story notes, things change.

Sitting in the food court at the Target Center in West Hollywood, playing “Where’s Waldo?” with the holiday display. But it wasn’t hard to find the menorah, because the only other decorations were a quintet of festive wreathes and a single broadleaf tree strung with lights. When we asked a security guard where the Christmas tree was, he referred us to another shopping center. The transformation is complete, I thought. How did it come to pass that instead of putting Christ back into Christmas, they put in Jews?

Even as a Jewish atheist, I have mixed emotions about the menorahs, or more precisely, Hanukiahs, that have become ubiquitous in what used to be called Christmas decorations in public places. Like the letter “K” with a circle around it on certain products in the grocery store, the candelabra has become like a seal of approval that a Christmas decoration is kosher — if not blessed by a rabbi, politically (and legally) correct.

Although it’s not, unless you believe a menorah also represents Muslims, Buddhists and secularists. And Christians, because even if the mall had a Christmas tree, it’s no more a symbol of Christianity than Santa Claus. While crosses and creches are verboten, menorahs are the only overtly religious symbols seen at many public holiday displays that at their core commemorate one of the most significant events in the history of Christianity. “Merry Christmas” has been displaced by the generic “happy holidays,” and it’s become inappropriate to sing “Silent Night” at a public school madrigal, yet de rigueur to toss in “The Dreidle Song,” hardly a fair trade-off. Let’s face it, the Jews have stolen Christmas.

Not that we meant to. I imagine that every time a Christian sees a menorah in a holiday display, the first thing they think is “what’s that?” and then, “oh yeah, it’s a Jewish thing, they must have complained.” It’s as if the religious right, beset by atheists challenging religious displays on public property, decided to use the time-honored tactic of blaming the Jews. Like admitting a token black or female to an all-white men’s club, maybe they figured putting menorahs in Christmas decorations and taking out crosses would placate their critics while motivating their followers — and everyone else not Jewish and not represented in the holiday displays — to hold a good old-fashioned pogrom.

Fundamentalists and right-wing talk show hosts aren’t the only ones to notice that as Christian symbols disappear, those of other faiths and cultures are being added, especially those of “the other white religion.” But why should the Jews take all the heat? How about replacing the star on top of the Christmas tree with a crescent and star and let Muslims be “included” as well.

To get away from menorahs, a few nights later we took a ride through upscale Hancock Park to look at yard and home decorations, which were beautiful as usual. Hancock Park is hardly representative of Los Angeles, just as Los Angeles is hardly representative of America. But after cruising around for awhile, we realized that amongst the reindeer, Santas and Mrs. Clauses, the Christmas trees, snowflakes, gingerbread houses and elegantly lighted trees and shrubs, not only were there no menorahs, but no J.C.s. No crosses, no mangers, no stars of Bethlehem, nothing of a remotely religious nature.

Weird. It’s as if some Christians in America have become like Marranos — Spanish Jews who pretended to be Christians during the Inquisition to avoid torture. Perhaps feeling under siege by secularists, they have become crypto-Christians. But if there’s one time of the year Christians should be unabashedly proud of their religion, you’d think it would be Christmas, which celebrates the birth of the baby Jesus and all the warm and fuzzy Bible stores that go with it, as opposed to Easter, another neat Christian holiday, except for those prickly questions about who did what to whom.

Even as a Jewish atheist, it saddens me to see changes in the traditional American Christmas of my childhood. Say what you will about the Crusades, Inquisition and horny priests, Christians have the best holidays. So much so that my Jewish parents felt that denying my brother and me Christmas was tantamount to child abuse. Despite the religious overtones, as children we had Christmas trees at home, sang Christmas carols at school, sat on Santa’s lap at the mall, opened presents Christmas morning and had Christmas dinner with relatives.

About the time my brother and I figured out Santa Claus wasn’t real, our parents gently told us Jews don’t think Jesus is either, and we began to observe Hanukkah for a few years, although we still exchanged presents on Christmas Eve and visited family on Christmas Day. Because Hanukkah pales in comparison to Christmas. “The Dreidle Song” and most other Hanukkah songs suck, and the holiday drags on for eight days and jumps around from year to year because of the anachronistic Jewish lunar calendar. Except for the lighting of the candles, chanting of prayers and giving of gifts, there aren’t many rituals and traditions associated with the holiday.

Rather than celebrating the coming of a messiah, Hanukkah commemorates an ill-conceived revolt by a band of zealots whose reoccupation of the temple in Jerusalem ultimately resulted in Jewish banishment from the Holy Land for two-thousand years. The miracle of Christmas is the salvation of humankind. The miracle of the Festival of Lights is that when the zealots seized control of the temple, there was only enough olive oil to keep the eternal light lit for one day, but instead it burned for eight. Big whoop.

And while Hanukkah is a week, Christmas is a season, filled not just with Christmas decorations, Christmas trees, Christmas parades, Christmas sales, Christmas movies, Christmas carols, Christmas cards, Christmas parties and Christmas masses, but Christmas cheer and Christmas spirit — peace, charity, faith and family.

While the menorah in the holiday display on government property is about freedom of religion, the menorah on commercial property is about freedom of markets. Capitalists are de-Christianizing Christmas and turning it into what Richard Branson dubbed Chrismahanukwanzakah to spread its commercial appeal to China and developing nations where the religion is less popular and sometimes downright unpopular. Which is also why the menorah in the holiday display is mostly an American phenomenon.

Holidays are always evolving and turnabout is fair play. Big business is merely taking its cues from one of the most successful marketing campaigns of all time, which is the spread of early Christianity. Capitalists are doing to Christians what Christians did to pagans when they turned their customs and traditions into “Christ Mass.” By blending Christmas with other cultures, capitalists convert others to their faith, which is commerce, and elevate their messiah, which is Mammon.

Then again, at most retail outlets, the Christmas spirit still prevails, even if they call it the holiday spirit. And maybe the menorah in the holiday display symbolizes more than tokenism and more than capitalism. Maybe it’s also a reflection of America’s growing recognition, if not complete acceptance, that we have become, indeed, have always been, a multicultural society. In that sense the menorah symbolizes ideals that are as American as they are Christian or Jewish — tolerance, diversity and inclusion. So maybe a kosher Christmas ain’t so bad after all.

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Cyber Thanksgiving 11/27/1997

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Wampanoag Chief Massasoit visits the Pilgrims. — The Atlantic (Bettman / Getty)

Before it became fashionable to bash holidays like Columbus Day and Thanksgiving, I looked for some dissonant Turkey Day narratives online. There are more today than there used to be.

Cyber Thanksgiving 11/27/1997

by H.B. Koplowitz

For most Americans, Thanksgiving means turkey, football, family, God and country, and children acting out skits dressed as Pilgrims and Indians. I don’t mean to sneeze in anyone’s candied yams, but for Native Americans, Thanksgiving is kind of like Woodstock, i.e., the last time they experienced three days of peace and love with whitey. Not that Squanto, that Uncle Tom of the Wampanoags, doesn’t get a featured role in those grade school skits. But here’s several Turkey Day Web sites that separate Thanksgiving facts from fiction.

What better place to start an online Thanksgiving pilgrimage than “America’s Homepage!! Plymouth, MA.” Co-produced by the Plymouth Chamber of Commerce, the site is heavy on travel, lodging and visitor information, but also has a link to America’s oldest public museum in continuous operation, the Pilgrim Hall Museum owned and operated by the Pilgrim Society.

There’s also information on the history and people of the area. For example, an article on the Wampanoag tribes by Jacqui Hayes of Plymouth South High School notes that the Wampanoags protected the English settlers from more hostile tribes and taught them to plant corn and other crops, and in return the Europeans gave them deadly diseases.

Although their language and culture were nearly obliterated, the 700 or so surviving Wampanoags began to revive their tribal customs during the 1960s and ’70s, and on Thanksgiving Day 1970 about 200 tribe members gathered at Plymouth to protest the European conquest. A “Day of Mourning” protest has been held every Thanksgiving since.

Perhaps the most comprehensive — if somewhat Eurocentric — Web site on Thanksgiving and the Pilgrims is “Caleb Johnson’s Mayflower Web Pages” <members.aol.com/calebj/mayflower.html>. Johnson is a member of the General Society of Mayflower Descendants and claims to be related to half the passengers on the boat, including Miles Standish and John Alden. Currently an Intranet coordinator for a company in Vancouver, Wash., he has been researching the history of the Mayflower for the past six years and been a consultant on Thanksgiving-related news stories and documentaries by The New York Times, BBC, CBS and Disney among others.

A self-taught genealogist, his site includes family trees, biographies and texts of early Plymouth writings, 17th century Pilgrim letters, and other contemporary documents. There are sections about the girls and women who traveled on the Mayflower, the clothing worn by Pilgrims, the history of the Mayflower ship and the Thanksgiving holiday.

A section on “Common Mayflower Myths” says that the original Pilgrims were not Puritans but “Separatists,” did not wear big buckles, were not mostly old men (their average age was 32), and did not celebrate Thanksgiving as an annual event. Johnson also asserts that it’s a myth that the Pilgrims stole land from the Indians and mistreated them, because the Indians were wiped out by smallpox in 1614. So there.

For a Native American perspective on Thanksgiving, there’s “Thanksgiving Information,” a report by the Fourth World Documentation Project, which is part of The Center For World Indigenous Studies. In an introduction written by Native American school teacher Chuck Larsen of Tacoma, Wash., he notes that each Thanksgiving he faces the dilemma of how to be honest with his students without passing on historical distortions, then proceeds to examine a few myths of his own.

Mayflower replica at Plymouth Bay.

For example, he says the Puritans were not just simple religious conservatives persecuted by the King and the Church of England, but “political revolutionaries who not only intended to overthrow the government of England, but who actually did so in 1649.” Nor were the Wampanoag Indians invited to the first Thanksgiving “in a demonstration of Christian charity and interracial brotherhood,” but to negotiate a treaty securing lands for the Pilgrims.

To show how the Pilgrims felt about Squanto and the other Indians who helped them through that first winter, Larsen quotes from a 1623 Thanksgiving sermon delivered at Plymouth by Mather the Elder. In it, he thanks God for the smallpox that wiped out most of the Wampanoags and for destroying “chiefly young men and children, the very seeds of increase, thus clearing the forests to make way for a better growth.”

As for Squanto, the Indian hero of the Thanksgiving story, Larsen says he had a “very real love for a British explorer named John Weymouth, who had become a second father to him.” Take that any way you’d like.

But the school teacher concludes that although what is taught about Thanksgiving is a mixture of history and myth, “the theme of Thanksgiving has truth and integrity far above and beyond what we and our forebearers have made of it.” And of that first Thanksgiving feast at Plymouth Plantation in 1621, Larsen says, “the friendship was guarded and not always sincere, and the peace was very soon abused. But for three days in New England’s history, peace and friendship were there.”

© 1997-2021 by H.B. Koplowitz, all rights reserved.

BMI’s MusicBot the RoboCop of Cyberspace 10/20/1997

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For my 12th column I did more entertainment-related pickups, meaning I picked them up from press releases or other news outlets. I led with a local Southern California story about a snake that ate a Chihuahua. As usual, I missed the real story, which was that BMI’s MusicBot was an early effort by the music industry to regulate the use of copyrighted music on the internet, and that Kinky Friedman’s reissues were on N2K’s Music Boulevard website, which was among the first to offer piracy-protected music for download.

BMI’s MusicBot the RoboCop of Cyberspace 10/30/1997

by H.B. Koplowitz

The owner of a Chihuahua-eating snake is appealing for donations over the Internet to bring his pet Colombian red-tailed boa back to his home in the San Fernando Valley.

In August, Alisss slithered away from Angus Johnson’s West Hills home and ate Flossie Torgerson’s dog, a long-haired Chihuahua named Babette, as Torgerson watched in horror. And took photos. She sued Johnson for damages and they appeared on the new The People’s Court TV show, where the judge, former New York Mayor Ed Koch, ruled in favor of Torgerson.

Meanwhile, Johnson has been fighting a separate battle with authorities to regain custody of the snake. After devouring Babette, Alisss was taken to the West Valley Animal Control shelter in Chatsworth. When the city refused to issue Johnson a wild animal permit so he could get his snake back, he claimed discrimination and threatened to sue.

Now the snake is in San Bernardino County, staying with a friend of Johnson’s. But the city won’t let him bring his snake home until he pays $70 for the permit, plus $150 in court costs and fines, and Johnson says he doesn’t have the money. His Web page seeks donations for the Free Alisss Defense Fund, although it is more like the Bring Alisss Home Fund, since the snake is no longer in a shelter.

Johnson is an aspiring hard rock musician. He has used Alisss, which is named after Alice Cooper, in his act. He says he rescued Alisss from an abusive owner eight years ago, and that the snake usually sleeps under his pillow.

The music cop, BMI, has unleashed a new Web robot that monitors music in cyberspace. “MusicBot” combs the Web, quantifying the use of music on different sites.

“BMI is working to make it easy to add the value of music to Web sites,” said BMI Senior Vice President of Licensing John Shaker. “At the same time, we want to make sure that music rights holders are encourage to let their music be performed online with the confidence that they will be properly compensated.

MusicBot is an automated tracking and database technology. It tracks the use of BMI-licensed music 24 hours a day, seven days a week, doing the work of 20 full-time employees for a fraction of the cost. Preliminary returns from MusicBot suggest that about 2 percent, or 26,000 of the 1.3 million sites on the Web, use audio files.

BMI distributes royalties to songwriters, composers, and music publishers for the performance and copying of their works. MusicBot is the latest BMI initiative to protect the rights of the more than 200,000 copyright holders it represents.

The organization has created three new licenses (Web site wide license, music area license and corporate image license) for Web sites to get the rights to music. The license applications can be downloaded at BMI’s Web site, which also has information on licensing music on radio, TV, cable, businesses and the Internet, and a huge Internet song title database searchable by song title or writer, with writer and publisher information on songs licensed by BMI.

Two classic CDs from irreverent musician, author and raconteur Kinky Friedman are for sale online exclusively at N2K’s Music Boulevard Web site. [In 1999, Music Boulevard was purchased by CDNow, which was acquired by Amazon in 2002]. The Internet release of Old Testaments and New Revelations and From One Good American to Another coincides with the release of Friedman’s latest mystery novel, Roadkill.

Old Testaments and New Revelations includes 21 songs spanning 20 years of road grit and flat beer. The set includes such classics as “They Ain’t Makin’ Jews Like Jesus Anymore,” recorded live in 1992 on the Don Imus radio show, and “The Ballad of Charles Whitman,” featuring the legendary Texas Jewboys.

In From One Good American to Another, Friedman explores his folk/country roots. The CD features Dr. John and members of Dylan’s Rolling Thunder revue as well as The Texas Jewboys, classics such as “The Ballad of Ira Hayes” and “Hobo’s Lullaby,” and a moving rendition of “Old Shep.”

The Kinkster has parlayed his singing career into a new incarnation as a mystery writer and super sleuth of his own novels. Roadkill features himself as a country music singer/ace detective coming to the aid of friend and country music star Willie Nelson.

Know of a “Kinky” site? Send your questions, comments or suggestions to XXXX@earthlink.net.

© 1997-2021 by H.B. Koplowitz, all rights reserved.

Cyber Bar 10/9/1997

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Exterior of Billboard Live with dual JumboTrons after the short-lived club was renamed the Key Club.
— 9039 Sunset Blvd on the Strip – A Brief Photographic History.

The short-lived Billboard Live on the Sunset Strip in Hollywood was ahead of its time, spending millions of dollars to try to accomplish what most smartphones can do today, which was videoconference from the club. The bar was kind of creepy, with webcams everywhere. It also had the first JumboTron outside of a sports arena, which loomed over the traffic on the Strip. The high tech bar didn’t last long; 18 months later it was renamed the Key Club, and most of its cyber-gadgetry was decommissioned.

Billboard Live 10/9/1997

by H.B. Koplowitz

Recently, a producer friend and I got a private tour of Billboard Live, a hot new nightclub on the  Sunset Strip in Los Angeles. Partly owned by Billboard magazine, and at the former location of  Gazzarri’s, one of the Strip’s iconic clubs, Billboard Live aspires to be a watering hole for music  moguls and a launch pad for upcoming bands. It’s got all the right amenities — bar, restaurant,  entertainment, dance floor, and a members only club in the basement. It’s also got enough high tech  gadgetry to give new meaning to “cyber bar.”

Of the nearly $9 million it cost to open Billboard Live, only about $3.5  million went for conventional furnishings, fixtures and equipment. Much of the rest was lavished on  lighting, technology and JumboTrons.

“Our goal is to pay homage to music by providing a showcase for new artists to be seen live on the Sunset Strip and worldwide via our electronic media,” said Billboard Live President Keith Pressman.

The club also books established bands, providing the intimacy of a club with all the gear a top band  would use on a multimillion dollar tour, he said.

The main ballroom has a 10′ x 12′ video projector screen so patrons can see the band if it gets  crowded. And if it gets really really crowded, or you get really really drunk, five-inch TV screens are  embedded in the floor.

Downstairs, members of the exclusive “Board Room” can view the main floor action from wall  screens or computers at their tables. For a limited number of personal and corporate paying members,  the subterranean Board Room furnishes privacy for celebs seeking their space, along with a virtual  cyber office with teleconferencing, Internet access and an e-mail address at the club.

In the mezzanine restaurant, many tables also are equipped with touch-screen computers to watch the  stage show, surf the net or order food and drinks. The table-side computers weren’t working when I  was there, but may be now.

Behind the scenes, a five-camera video production center is used to record shows and broadcast live  inside the club and onto the JumboTrons and Internet. With 35,000 main watts of audio power, and a  monitor system with 52 channels and 18 mixes and wedges, it’s the envy of many studios.

“Everything is set up so that as technology changes, we just re-program what we have,” said Steve  Strauss, vice president of operations, and former general manager of the nearby House of Blues. “We  may not use it all immediately, but we’re having everything wired now, so that when the times comes,  we are ready.”

For example, the stage revolves, so one band can be setting up behind the curtain while another band is on stage performing. But they seldom book more than one band  a night. They’ve also got 44 permanently installed Vari*lites, when it only takes four to light a KISS  concert.

Even by L.A. standards, Billboard Live’s building facade is bodacious, with two 9′ by 12′  JumboTron video marquees projecting movie ads, PSAs, music videos and sometimes simulcasts of  live entertainment from inside the club. Within a mile radius, drivers can hear audio transmissions  from the JumboTrons on their AM radios. The club sells time on the video marquees for music video  promotions and other advertising targeted at the 65,000 vehicles that cruise the Sunset Strip daily.

If that ain’t enough, it’s all fed onto the World Wide Web. With free “streaming video” software  called StreamWorks, you can view on your home computer the same thing that is on the Billboard  Live JumboTron, which sometimes is what’s going on inside the club.

To view Billboard Live’s streaming video ads, music videos and simulcasts (and get concert dates and  Billboard charts), point your Web browser to www.billboardlive.com. Click on the “Stage” link, and  then on the big eyeball that says “Live Video.” (If you don’t have the StreamWorks software, you can  download it for free at www.streamworks.com. The StreamWorks Web site also has links to other  streaming video websites.)

Eventually, the owners of Billboard Live plan to have 12 clubs around the globe, and to link them all  by computer. When I asked a manager why, he said that once they have a club in Shanghai, it will be  possible to sit at a table at the L.A. Billboard Live, call up on the computer a live streaming video  picture of the bar in Shanghai, zoom in on a pretty girl, or, ahem, music industry executive, and be  able to buy that person in Shanghai a drink from your table in L.A.

Oh.

© 1997-2021 by H.B. Koplowitz, all rights reserved.

Star Dreck 10/2/1997

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Having strayed into the creepy crevices of the internet a bit too often, for my eighth column I decided to go commercial, and pretended that the editors were forcing me to use the press releases they were shoveling my way.

Star Dreck 10/2/1997

by H.B. Koplowitz

I try to avoid reviewing “official” Web sites. But how can I expect trade-outs, comps and other perks unless I suck up to promoters? So here’s some Web sites I have been “encouraged” to review. Warning: Some of the following may have been taken verbatim from press releases.

Star Trek: The Ad: “Star Trek: The Experience™” is a 65,000-square-foot attraction at the Las Vegas Hilton hotel. The completely interactive entertainment concept is based on the voyages of the most enduring and extraordinary television series of all time — “Star Trek®”. There’s only one problem: It ain’t open yet.

No matter. You can still visit “Star Trek: The Ad” <www.startrekexp.com>. The Web site has news, tour information and even a so-called “virtual tour,” which gives a sneak preview (mostly descriptions and drawings) of the $70 million attraction.

Once the experience opens later this fall or winter, visitors will be transported to the 24th century and immersed in a futuristic adventure that starts with a museum-like exhibit featuring authentic “Star Trek” stuff from the four TV series and eight movies. Next they get beamed aboard the Starship Enterprise for a deep space adventure that includes an exciting shuttlecraft voyage through space and time. Afterwards, awestruck visitors can hang at the Deep Space Nine™ Promenade and enjoy the galaxy’s finest dining, entertainment and shopping for officially licensed and custom Star Dreck.

“Star Trek: The Experience” won’t have gambling. However, a 22,000-square-foot space-themed casino will serve as the gateway to the attraction. You can’t purchase tickets by phone, mail or Web site, but must get them in person at the Las Vegas Hilton. With 3,174 rooms and suites, the Las Vegas Hilton <www.lv-hilton.com> is one of Las Vegas’ most luxurious and exciting casino-resorts. [Star Trek: The Experience closed in 2008.]

Spooktacular Video: Hey kids, join Casper the friendly ghost as Twentieth Century Fox Home Entertainment launches an out-of-this-world “Casper Web site” <www.caspervideo.com> to support the studio’s first made-for-video release, “Casper, A Spirited Beginning.”

Scroll along the halls of Applegate Manor to access hauntingly fun activities including an interactive concentration game; a timeline to learn about the history of Casper; and behind-the-scenes production information with cool ghostly images. However, the site uses Java and other plug-ins, which means it is slow to load, tends to crash your computer, and unless you have the right plug-ins you can’t fully enjoy all the bells and whistles.

The made-for-video prequel answers the question: How did Casper become the friendly ghost? The video, which debuted Sept. 9 for $19.98, is an all-new adventure starring the same characters as the 1995 dud, “Casper.” Joining the spooktacular fun are two new ghostly characters, Snivel and Kibosh, voiced by Pauly Shore and James Earl Jones. The “fleshie” cast features Steve Guttenberg, Lori Loughlin, Rodney Dangerfield, Michael McKean, Brian Doyle-Murry and newcomer Brendon Ryan Barrett.

Inexplicably, the Web site won’t sell you the video, and doesn’t say where else you might buy it. Twentieth Century Fox Home Entertainment is the worldwide marketing, sales and distribution company for all FoxVideo and Fox Interactive products.

Haggle-Free Car Buying: Car buyers can avoid the haggling process — and save an average of 8 percent on the sticker price of a new car — by buying a car by computer. So says AutoVantage, which sells cars by computer.

At the Houston, Texas, company’s Web site, consumers can browse through car reviews for free and look up new car prices. They also can submit a price request through the Web site or by calling a toll-free number. AutoVantage then does the haggling for them and tries to respond within two hours with a “preferred price” to be honored by a nearby car dealer.

AutoVantage says it has been rated the best interactive car-buying service by Motor Trend magazine, and that 30,000 people a month submit price requests. It is also the featured new-car buying service for netMarket, which claims to be the leading interactive consumer commerce Web site.

AutoVantage offers financing and leasing options, and a national used car database containing more than 50,000 used cars. But before accessing many services you have to join netMarket, which turns out to be a buyers’ club. I never could figure out how much it costs to be a member. But you can join for three months for a mere $1 plus your credit card number.

If you want Blue Book values and used car prices without giving out your credit card number, try the online version of Kelly Blue Book <www.kbb.com> or any of the other services listed under the Auto Channel on the search engine Webcrawler <webcrawler.com>.

© 1997-2021 by H.B. Koplowitz, all rights reserved.

Guerrilla Filmmaking Online 9/25/97

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My friend produced live events for Women In Film, and she turned me on to a WIF volunteer, Ken Tipton, who had what was then a novel idea for financing his independent film. Websites like GoFundMe are common today, but Tipton was one of the first to tap into the internet’s fundraising potential. Tipton never made it big in Hollywood, but another of his cyber publicity schemes would later earn him notoriety, although not in a good way.

Guerrilla Filmmaking Online 9/25/97

by H.B. Koplowitz

Ken Tipton wants to make it in Hollywood. With persistence, and creative marketing on the World Wide Web, the 44-year-old entrepreneur turned actor, writer, producer and director, just might.

Taking guerrilla filmmaking onto the Internet, Tipton may be the first to use a personal Web page to finance an independent film, Perfect Mate, which debuts at the International Feature Film Market Sept. 21 in New York City. He also used his Web site to recruit the 17,000 members of the Ken and Paul Tipton Fan Club, which wants the Drew Carey TV show to cast the stout Tipton as Mimi’s boyfriend in upcoming episodes.

“Everyone wants to feel like they are a part of Hollywood,” says Tipton, who lives in Toluca Lake. Through his Web page, he wants to help what he calls “movie geeks,” — including himself and his son — to live out their dreams.

Tipton grew up near St. Louis, where he was active in community theater and comedy clubs. He also was a small businessman, starting one of the first video stores in 1980, and in 1991 a paint-ball war game business.

In 1993 he decided to give “the acting thing” one more try. With the proceeds from selling the paint-ball business, and the blessing of his ex-wife, who continues to manage their video stores in St. Louis, he moved to L.A. with Paul, their 12-year-old son, who also wants to act.

He didn’t feel like he was getting anywhere until November 1995, when he attended a screening of Jodie Foster’s Home for the Holidays sponsored by the Independent Feature Project. As Foster talked about having to be “monumentally creative” to raise capital to make movies, Tipton thought back to his childhood in Missouri, staging plays using comic books as scripts. To pay for the productions, they would sell lemonade or toys. It occurred to him to use the same strategy to finance movies, only selling to the world, via the Internet.

Together with writer Carrie Armstrong and director Karl Armstrong, he founded Makers Of Visual Independent Entertainment (M.O.V.I.E.). “The M.O.V.I.E. Web site” <www.moviefund.com> went online in December 1995 selling mouse pads, hats, key chains and T-shirts with the M.O.V.I.E. logo. Profits were to help pay for Perfect Mate, a 20-minute short by the Armstrongs, in which Tipton had a starring role.

“My goal is to open up new areas of funding for Independent Film Makers,” Tipton wrote in a mission statement. “As the organization grows, hopefully we will develop into a place where talented and underfunded individuals can get a start. . .By buying a hat, or a mouse pad, or even a key chain, you help fulfill the dream that lies in every movie lover.”

No one knew the Web site existed for several months, until a Web reviewer described it as “strange, interesting and unique.” Suddenly, thousands of people a day started visiting M.O.V.I.E., and some — Tipton won’t say how many — bought merchandise.

Even more important than the sales, however, were the contacts. After seeing the Web page, a steadycam operator donated his services. Someone else offered to do animated credits, while others contributed free film. The Web page even helped persuade Disney to donate the use of an AVID digital film editor in exchange for a first look at the completed movie.

Perfect Mate grew from a short into a feature-length romantic comedy about a young woman who holds her party guests hostage while searching for her perfect mate. Tipton said the Web page helped finance much of the film, estimated to have cost $350,000, including the cost of donated goods and services. It will be debuted to foreign film distributors this weekend in New York.

The Web site is also used to recruit members of The Ken & Paul Tipton’s Fan Club, which is operated by a clerk at his St. Louis video store. One incentive to join is that fan club members are eligible to win a speaking part in an upcoming M.O.V.I.E. project.

The online fan club has grown to 17,000 members, which is to say, 17,000 e-mail addresses of supporters. Tipton realized what a powerful tool that was when he asked his fan club to e-mail the Sundance Film Festival with requests to show Perfect Mate. So many did that Sundance’s computer e-mail crashed.

Now Tipton is urging his fans to let the Drew Carey Show know that he would make the perfect mate for the bodacious Mimi character’s boyfriend.

“In this business you have to make your own breaks,” Tipton said. “The only thing worse than failure is never knowing what could have been if only you had tried.”
 

© 1997-2021 by H.B. Koplowitz, all rights reserved.

alt.sex 9/18/1997

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alt.sex 9/18/1997

by H.B. Koplowitz

For my sixth column, I returned to the subject of sex and cyberspace, reviewing kinky newsgroups in an outpost on the internet called Usenet. For some reason I neglected to mention alt.sex.binaries, which was a place to trade dirty pictures, and a precursor to file-sharing networks.

Once upon a time there was a place on the Internet where people with unusual and sometimes unspeakable fetishes could find each other. Where personal ads were placed for sex with animals, or stuffed animals, and others indulged their secret obsessions with spanking, chloroform, even robots.

The pictures, messages, personal ads and stories were sometimes erotic and sometimes idiotic, offensive or even illegal, but nonetheless reflected the startling diversity of human sexual appetites. That place was “alt.sex,” an unmoderated cluster of Internet bulletin boards or “newsgroups” devoted to all manner of sexual fetishism.

Even more than other Usenet newsgroups, alt.sex has been obliterated by “spam,” junk email ads, mostly for adult Web sites. Today, little remains except the names of the discussion groups. Below are some examples of what alt.sex used to be like, and where content that used to be in alt.sex newsgroups can now be found on the Web:

Furry Friends (alt.sex.plushies): A plushie is a stuffed animal or toy, like a teddy bear. Alt.sex.plushies was for people desiring a more than Platonic relationship with a plushie. Some plushophiles have a thing for “fursuits,” which are full-body costumes such as those worn by sports team mascots or amusement park employees, and for “furries,” which are characters with aspects of both animals and humans, like Bugs Bunny. Today, “PeterCat’s Furry InfoPage” <www.tigerden.com/~infopage/furry> is the keeper of the alt.sex.furry FAQ [Frequently Asked Questions], with links to other plushie pages, from stuffed toy lovers to stuffed toy makers like FAO Schwarz.

Animal Lovers (alt.sex.bestiality and alt.sex.zoophilia): A bestialist wants sex with an animal, while a zoophile seeks a relationship, too, according to the FAQ in alt.sex.bestiality. However, personal ads for canines and other critters appeared in both newsgroups, as did practical advice on how to get physical with the species of your choice. Did some of the people in these newsgroups actually have sexual relations with animals? “You bet’cha!” says the FAQ. Today, links to Web sites, newsgroups, chat rooms and other bestial resources can be found at “Zoophile Server” <http://www.zoophile.org>, the original zoophile Web server.

Techno-Sexual (alt.sex.fetish.robots): A.S.F.R. was for people sexually attracted to robots and robot-like beings. “Techno-sexuals” are aroused by depictions of people behaving like or turning into robots, androids, mannequins, dolls, wind-up toys or hypnotized mechanical sex zombies, according to the newsgroup’s FAQ. The ASFR home page, which was created by “Robotdoll,” is not presently online. But Robotdoll’s FAQ has been preserved on “Robo-Lover’s Homepage” <members.aol.com/robolvr/index.htm>, along with pictures, stories, and links “dealing with the mechanical maidens and delectable dolls that is ASFR.”

Overlapping newsgroups included alt.sex.fetish.sleepy, which had stories and pictures about people overcome by hypnosis, chloroform and other mind control methods, and alt.sex.fetish.wet-and-messy, which was about erotic encounters with drenching rain, mud, quicksand, cream pies and other gooey stuff. On the Web today, “The Erotic Mind-Control Story Archive” <www.mcstories.com> has salacious tales broken into such categories as hypnosis, sudden growth of body parts, lactation, even Star Trek and X-Files characters. Wet and Messy Web sites include the “WAMSAT Project,” with links to sites with names like “Shokolada’s Mess,” “Muddy Melodrama” and “World Wide Wet Page.”

Spanking Good Time (alt.sex.spanking): Today’s fetish websites are far more stylish and better organized than alt.sex ever was. Still, they cannot replace the intimacy of a discussion group. Even if you aren’t into erotic spanking between consenting adults, to see what some alt.sex newsgroups used to be like, take a peek at soc.sexuality.spanking.

When alt.sex.spanking got overrun by spam, newsgroup regulars debated picking a “moderator” to screen messages for spams, pictures and other off-topic posts. They eventually agreed on a “robo-moderated” newsgroup, in which posts are electronically filtered by computer, with human moderators only seeing posts rejected by the ‘Bot. As a result, most of the messages in the soc.sexuality.spanking newsgroup are actually about spanking, at least most of the time.

Each summer the newsgroup holds a spanking short story contest, with the entries archived on the “S.S.S. Resource Page” <https://groups.google.com/g/soc.sexuality.spanking>. But some of the most compelling stories are the true ones posted in the newsgroup by “delurkers” revealing their spanking fetish, and their relief at finding kindred souls.

What newsgroups have that Web pages don’t is a sense of community. And as stated in the new soc.sexuality.spanking charter, “Regaining the feelings of community and support was the reason for the formation of s.s.s, and in s.s.s., the tradition of welcoming newcomers with open arms continues.”

© 1997-2021 by H.B. Koplowitz, all rights reserved.

Princess Di Online 9/11/1997

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As this story about the tragic death of Princess Diana illustrates, online trolling predates Facebook and Twitter. It also hints at some of the ways a wired global community was changing journalism, as more journalists would became lazy like I was and start using the Internet to gather quotes instead of actually talking to people. Princess Di’s death marked a turning point in my own life, as that was when I began working the weekend overnight shift at City News Service in Los Angeles.

Princess Di Online 9/11/1997

by H.B. Koplowitz

The mainstream media consensus is that the whole world is mourning the death of Diana, Princess of Wales. But on the unfiltered Internet, emotions amongst the cyber commoners are decidedly mixed. Equal venom is being spewed at the “stalkarazzi” and the “people’s princess,” and, as always, at each other.

Princess Di and her beau, Dodi Fayed, died early Sunday morning [Aug. 31, 1997] in Paris (Saturday night in Los Angeles). Fleeing from biker paparazzi, their Mercedes crashed while traveling in excess of 100 miles an hour through a Paris tunnel beneath the Seine. Dodi, 41, and the driver, who was legally drunk, were killed instantly. Diana, 36, was pronounced dead about 4 a.m. Sunday, Paris time.

Some, especially in Europe, first heard about the tragedy on the Internet, from American computer users monitoring TV news reports. An Internet friend visiting Paris said her first awareness that Princess Di was dead was at 6 a.m. local time Sunday morning, when she logged onto her computer and entered a chat room on America Online.

“They asked me what they were saying in France and I did not know what they were talking about,” she recounted. “So they told me what happened. And when I checked the French news, the titles on AOL, there was still nothing about it.”

When big news breaks, chat rooms become like talk radio, only without the radio and without the talk show host. Potshots fly in all directions, with special attention given to sexual innuendo. Typical comments from the AOL chat room “Papparatzi Killed Di” Monday evening included:

MastrBaitz: she knew what the price was when she married prince bozo

BADBOY6552: IWILL PRAY FOR DIANA AND KEEP IN MY HEART ALL SHE HAS DONE FOR SO MANY

EL P0RK: he was spanking himself in the front seat as Di was spanking her man’s meat in the back

MastrBaitz: i think the british intelligence servces probably killed her

SueKewpie: holy smokes, I canot believe the drivel that is filtering thru here. I just can’t…

Jkren: god bles the ignore button

Usenet newsgroups also lit up with messages, not unlike these posted in alt.talk.royalty:

“We want to know

We create an industry
To pry and expose
We build them up
We take them down.

Today I cry.
And tommorow I will buy
The newsprint that killed her.
God help me.
And you…
— mrblonde”

“Diana and Dodi’s tragic death was caused by the poor judgement of a drunk driver. They were being followed with cameras, not guns. It is a horrible, horrible accident that should never have happened. If you want to blame something, blame foolish decisions and drunken driving. Beverly”

“Call her Lady, call her Princess, call her whatever you like. Diana was Queen in our hearts!”

“Such pious nonsense. She represented nothing and nobody. She was a loose cannon addicted to high living and media attention.”

Trying to start an urban legend, one message writer claimed Buckingham Palace had given permission to sell bone china gilded plates engraved with photos of the crash.

Charlene Vickers of Yellowknife, NWT, announced a memorial Web page , along with a petition to create a permanent memorial for Diana: “It occurred to me that many late members of the Family have had monuments built to their memories in London and at Windsor. I feel that Diana, Princess of Wales, deserves a similar monument, and I am asking you to sign a petition to that effect.”

The official British Monarchy home page has set up an area for people to leave their written condolences, but it is hard to access now because so many people are trying to get in.

However, the Unofficial British Royal Family Pages has current information on the accident and aftermath, along with excellent links to other royal Web sites, and a Diana Memorial Page where people can leave condolences. Most of these comments have been more respectful, such as this one from Shannon Tod of Australia:

“Princess Diana, a true legend in my eyes. U are an inspiration to me and a best friend to the world. I will always remember your courage, patience, and mostly love to other people that u showed. Nothing could ever replace the true and wonderful you that I have known. U will live in me forever, and the light that you shone upon this world will always remain. I luv you, Sweet Princess. @}—>—‘— “

© 1997-2021 by H.B. Koplowitz, all rights reserved.